Vered Gersztenkorn
"Rose" 47x47
Clarendon Hills
"Untitled" 55x47
Clarendon Hills
"Yellow" 66x59
Nokomis
"Waking Dreams"
SOLD
"Neutral Heart" 66x59
Clarendon Hills
"Massacre"
SOLD
"Blue Dreams"47x47
Nokomis
"Solo Dreamer"
SOLD
About The Artist
The creations of Vered are characterized, generally, with expressive colors that touch the deepest levels of the viewer. In her unique language, she moves on the canvas freely between the intensive rhythmical touch and the soft lyrical. She paints spontaneously and intuitively, moving from abstract to figurative and combining the two in a way that affects our senses first, and then the associations.
Her work is curious, humorous and engages distorted humans, animals and still items, that only seem to be naive and childish, while a clear mature sense of ability and expression is obvious there; of an artist who skillfully knows how to get the best out of her brush.
Her painting is based on the foundations of the visual art-color, composition, constrasts, textures-and characters. Her influences are the Cobra group, L'art Brut, as well as Jean Dubuffet, Jean Michel Basquiat, Israeli painter Lea Nikel, and more...
"I approach my work spontaneously, without knowing what I'm going to paint, according to how I feel at the moment, so it's always a new adventure in form, color, ranging from abstract to figurative. I enjoy being on the edge of going lost and having control on my work. This is the place where I find most of my inspiration."
Her work is curious, humorous and engages distorted humans, animals and still items, that only seem to be naive and childish, while a clear mature sense of ability and expression is obvious there; of an artist who skillfully knows how to get the best out of her brush.
Her painting is based on the foundations of the visual art-color, composition, constrasts, textures-and characters. Her influences are the Cobra group, L'art Brut, as well as Jean Dubuffet, Jean Michel Basquiat, Israeli painter Lea Nikel, and more...
"I approach my work spontaneously, without knowing what I'm going to paint, according to how I feel at the moment, so it's always a new adventure in form, color, ranging from abstract to figurative. I enjoy being on the edge of going lost and having control on my work. This is the place where I find most of my inspiration."